Sew Craft: Dream Pillows

In my backyard I have a bower on which morning glories entwine in the spring and summer. I have always loved the cheerful face the flowers give to the day, especially as I am not a morning person. I can see the blooms from my bedroom window and so, no matter how grouchy I might be when I drag myself from the warm embrace of my bed, I smile when I catch sight of the blue and purple flowers.

Morning glory seeds added to dream pillows keep nightmares at bay. Perhaps this is because they carry in them a promise of the morning to come, when the sunrise banishes the monsters of the night.

Make dream pillows to help with prophetic dreams, or to ease your mind to sleep. Make one for the child who wakes up from nightmares. She can reach for her sleep pillow, inhale the scent of lavender and lemon balm and fall back asleep, knowing her dreams will be sweetened by the scents.  To refine your spell craft, use linen—dreams and linen both share an association with water.  If you want inspiring dreams, use silk thread for the embroidery for its association with the air element.  If you need deep sleep, make use of cotton’s grounding earth vibrations.

Materials

Dream Pillow Materials
I used the lavender linen spray shown here when I pressed the fabric before starting. It’s not necessary, but it gives the fabric a nice fragrance.

Dream Pillow Design ( pdf | jpg )
Blue fabric about 12″ x 12″
Lightweight fusible interfacing
Embroidery thread in blue, purple and silver
Embroidery hoop and needle
9 morning glory seeds
1/4 cup dried lavender flowers

Process

1) Print out the Dream Pillow Design by clicking on the links here: pdf | jpg. Use the pdf link to print the image as is. The jpg link is provided for you to manipulate (enlarge, reduce, rotate, etc.).

2) Transfer the embroidery design onto the fabric.  You can use transfer paper, or trace the pattern right on the fabric.  I pinned the design to the fabric and taped it to the window to trace it.  I use the Pilot Frixion Clicker pens because the ink disappears from fabric when ironed.

Dream Pillow Transfer
This part will take a little patience.

3) Stitch the design with three strands of embroidery thread (1 blue, 1 purple, 1 silver). Use a stem, chain or split stitch. Use an embroidery hoop to keep the fabric taut.

Dream Pillows: Almost Finished
Halfway to the land of Nod.

4) When finished, apply fusible interfacing to the back of the design.

5) With the design centered, cut the fabric out in a 6” square. Cut a back piece of fabric also in a 6” square.

6) With right sides together, stitch a ½” seam along all sides of the square, leaving a 3” gap for turning. Back stitch at the start and finish of the seam.

7) Trim the corners and seam allowances.

8) Turn the pillow right side out. Press.

9) Stuff the pillow with the morning glory seeds and lavender. Do not over stuff.

Dream Pillows: Stuffing Time
You can also add mugwort to your dream pillow to help promote prophetic dreams.

10) Edge stitch ¼” around all sides of the pillow. Work slowly, shifting the lavender and morning glory seeds to the center to avoid catching them in the needle.

11) When you are finished, hold the pillow in both hands and charge it with restful sleep intentions. Say:

“Lavender sweet and glory of day
Please keep any nightmares at bay,
Should haunted thoughts disturb this guarded rest
Please help usher in a sleep that’s blessed.”¹

You can call upon one of the gods of sleep or dreams to bless the pillow as well.

Place the dream pillow under your own. Should negative thoughts rouse you to wakefulness, grip your dream pillow, inhale the lavender scent and allow it to lull you back to sleep.

Finished Dream Pillow
And your dream pillow is done. Sweet dreams.

¹ Many thanks to my partner, Stephan, for putting together a chant to replace my clumsy attempts at ritual rhyming.

Customer Review: Square Holder

I got a request from my friend and accountant Michael from PRM, Limited to make a holder for his Square reader.  I was already familiar with the device.  I use it myself at conventions.  It didn’t take long to put together and I delivered a prototype for him to test out.

And then I completely forgot about it, until a couple of weeks ago when Michael reminded me about it.  He sent me pictures of the holder and even wrote up a little review.  With the way things have been going lately, I appreciate reading that a little thing I put together has not only served it’s purpose and lasted, but that it has been helpful.

Michael writes:

“About 4 years ago my company started using Square to take credit cards and I asked Raechel at Idiorhythmic Design if she had a key chain type item that held the reader. I knew I was going to be on the go all the time and I wanted something to keep the reader easily accessible and safe. She didn’t but she designed a prototype for me and sent it over. After 4 years of heavy abuse in my pocket, car, and just general life the holder has held up fairly well. Obviously any fabric item is going to break down under that kind of life eventually and as the pictures show the edges have eventually frayed and shown the interior material used to give it strength. The button clasp is still in excellent condition and clasps firmly with no issues. The blue loop for attaching it to my key ring is still super solid and in great shape. The reader has a jack that allows it to plug into the phone and even after 4 years for rubbing against the interior seams they are still in pretty good shape and are only now beginning to show strain from the wear and tear.

“Overall this was a fantastic prototype with 4 years of testing put into it and I can say that if she decides to make them a more permanent item on her store I will be the first to buy a new one. I hope later generations come with fun fabric designs on the outside, but the plain brown used was a also a good choice in a professional setting.”

Thank you, Michael, for putting that thing through the gauntlet and letting me know how it held up.

Down in the Hole

Almost three years ago I started to realize that I wasn’t okay.  Stephan was the first to notice it and suggest that I needed help.  That kicked off a period of introspection on my part where I started to recognize what I was going through and drawing parallels to a period in my life, almost twenty years earlier, where I had dealt with the same issues.  At that time I ended up trying to kill myself, dropped out of college and moved 2,000 miles from my home state of Wyoming to start over in Chicago.

Even though I recognized the signs and had a supportive husband, I still could have ended up in a very bad place.  We didn’t have health insurance at that point so I couldn’t get professional help.  In fact it would take about eight months after deciding I needed help before I could see someone.  And when everyday you alternate between feeling like you are being buried alive or that your head is going to explode from all the anxiety, it’s hard to function, let alone jump through all the hoops of finding the help you need.

Much like with my move to Chicago in 1996, I started cataloging my struggles with depression and anxiety out of desperation.  I made posts to my Facebook page about what I was dealing with, what it felt like, what I was going through to find help.  I needed to express what was going on in a place that was safe for me.  And even though I have a tightly locked down Facebook page, with a highly curated friends’ list, I still spent a lot of time agonizing over whether or not to post.

What helped was another friend posting first about going to therapy and then later about taking medication.  It was just two little posts, snuggled in between stuff about politics and books and life.  But it made a huge difference.  Here was someone I looked up to, someone who, to my eyes, had their shit together.  And they were seeing a therapist for anxiety.  They were taking medication for their mental health.  Holy shit!  Maybe I wasn’t the only one!

I come from Wyoming, a state that has a high suicide rate for its population size, and where the most distinct cause of death in the state is the flu.  It is a place where you suck it up and work through the pain, no matter what.  It’s no wonder that we don’t talk about things as uncomfortable as mental health.  My own mother, when I had brought up depression and therapy in the past, cautioned that I had to be careful because therapists would “just want to blame all your problems on your parents.”  The concern with image trumps any pain or suffering you are feeling.  Add to that the belief that mental illness is more about personal failings and irresponsibility than an actual medical condition and you can see why it’s hard to talk openly about depression and anxiety, let alone other mental health issues.

Posting, first only about the arduous process of finding doctors that took my health insurance, but later on my medications and my reactions, had an effect that I had expected.  I started getting private messages from people who I had always seen as, again, having their shit together: people who were working, paying their bills, engaging in life.  These people told me about the medications they were on.  They told me what worked or didn’t work for them.  They wrote to me with support and encouragement.  It was so damned important for me, because I got to see that it wasn’t abnormal to take medication, that there was still life beyond depression.

As I kept writing, people started commenting openly.  Again, all these friends who I thought of as awesome, put together adults, were sharing their own struggles and stories.

And something else happened.  Friends started telling me about how my posts helped them with their own mental health issues.  They recognized their symptoms in my writings.  They went and sought help because they read about me taking medication.  They were feeling better, more hopeful about their own lives because they saw someone else going through the same things.

That realization suddenly made it so much easier to write the posts about what I was feeling.  To mention when I felt I was backsliding, or my worries that my medication isn’t helping.  I was doing the same thing I have been doing when I post about whether or not I am making money in this whole living a creative life endeavor: I am standing in the dark, holding up a light for those who might be otherwise lost.  And that’s a kind of healing as well.

 

 

Sew Craft: Fabric Magical Properties

One of the challenges in researching this book has been the lack of information on very basic topics.   While magical correspondences of everything from animals to minerals, colors to plants have been studied and recorded, textiles have slipped through the cracks.  When it comes to magical crafts, fabric has been given little if any consideration of its magical properties.  Yes, fiber content isn’t as exciting as, say, feathers or shells, but I feel that taking time to consider the type of fabric you’ll use in projects can give added meaning and energy to your work.

There are some people who have given some thought to the magical properties of textiles.  One such, Deborah Snavely, has two in depth articles on the subject.  I have come to use different correspondences than hers below.  Also, I don’t use the standard system of assigning male or female genders—I find the whole idea not particularly useful, and potentially harmful to my practice.  However, I include the link to her articles as I found them helpful in my own research and as a place for others to look to for their own investigations.

Without a venerable Cunningham to guide my studies, I have had to cast my net outside the metaphysical seas into those concerning the practical aspects of textiles.  The correspondences outlined below are based on my research into the origins of the fiber (where the raw material comes from) and the processes used to make the fabric.  My focus is on the most basic of correspondences: the elements.  I’ve also limited myself to the four most common natural fabrics.  Man-made and blends fall outside the scope of this entry.  Other natural fabrics: nettle, hemp, the new faux leathers made from pineapple leaves and mushrooms are best considered in another article as well.  Leather, fur and feathers have been left off as their associations are intrinsically tied to the animals they come from.

With that preamble out of the way, please check out the correspondences below.  Again, these are all based on my own research.  So, if anything doesn’t resonate with you, ignore it.  In the end, magic is a personal matter, and it is your own intuition, symbols and reasoning that fuels your spells.

Cotton

Cotton fabric is made from the boll of the cotton plant. The fibers are plucked, mixed, beaten in cylinders, carded, drawn, roved and then spun into thread. As such, it shares some of the qualities of plant from which it comes: it is associated with the Earth element; it can be used magically in spells of healing, luck and protection. According to Cunningham, “Cotton is the best kind of cloth (next to wool) to use for making sachets, or for any time cloth is needed in magic.”¹

One type of cotton fabric, muslin, was once a fabric highly prized in its native India and throughout the rest of the world. In her book, Muslin, Sonia Ashmore writes, “Muslin is an open-textured cloth, thin and sheer, woven to varying degrees of fineness depending on the quality of yarn used and the skills of both the spinner and the weaver. The surface, particularly of hand-woven muslin, has a softness to the touch that has been described as ‘mossiness’.”² This description of “mossiness” along with its origin of the cotton plant, places the fabric into the Earth elemental realm.

Use cotton fabric for any project, from robes to altar cloths to spell bags. It is well suited for spell bags as it is breathable, allowing the magic to flow in and out of the pouch.

Linen

Linen is created from flax; a laborious process that includes “retting” or fermentation in water. Because of this and its water absorption properties, it is associated with the Water element. It is a fabric that suggests purity and wealth. As it was historically used for bedding, linen is used in many healing spells. One such use involves tying a strip of linen from a sick person’s bed to a tree. As the exposure to the elements destroy the strip, the illness will be similarly destroyed in the patient.

Linen is associated to the goddess Hulda through its flaxen origin. It is used in spells of beauty, healing, money, protection and psychic powers. Linen is especially well suited to robes and other magical attire.

While pure linen is expensive, there are several “linen like” synthetics available at a lesser price point. These can be used in place of the authentic fiber. These faux fabrics require less ironing than pure linen meaning they can be preferable for use in items worn.

Silk

Silk is made from the cocoons of moth caterpillars. The cocoons are soaked in hot water from which loose fibers are collected and then twisted into thread for weaving. As a fabric it is seen as a luxurious and sought after material for garments. Magically, silk is considered to deflect magic, and to protect the magical energies and contents inside it, making it especially useful for creating bags used to hold and carry tarot cards, runes, and crystals.

Caterpillars, moths and butterflies, as well as their cocoons represent transformation, thus making silk suited for spells and magic pertaining to change, movement, and growth. Because of its association with wealth, luxury and prestige, silk is a good fabric to use in money and prosperity spells.

Silk is associated with the element of Air due to its airy quality and its origin. Because of its great rate of shrinkage and loss of strength when wet, it may not be suited for spells or rituals involving the Water element.

Wool

Wool sheared from sheep is bathed in a chemical bath, mixed, spun, washed and pressed to felt it. It is known for being impervious to cold and is often used for clothing meant to protect from cold weather. Coming from sheep, it is associated with the astrological sign Aries and the planet Mars. All of these properties align it with the Fire element.

Wool is associated with protection and comfort. It can be used in protective, prosperity and healing spells. Wool felt is useful for crafts from poppets to altar decorations. Wool suiting is useful for ritual cloaks, which will keep you warm during rituals performed outdoors during colder weather.

Cut edges of wool don’t unravel, making it useful for quick circle pouches or for when you don’t have time for finishing edges in a project. And though expensive, wool is a durable fiber that will last a long time, making it a worthwhile investment for spell and ritual tools.

 


¹ Cunningham’s Encyclopedia of Magical Herbs, p. 84

² Sonia Ashmore, Muslin, p. 8

Book Research Quote: Web of Wyrd

Two of the most ancient human handicrafts are weaving and pottery, and in ancient scriptures, both of them are used as metaphors for the human condition.  The ancient bards perceived the multiple interwoven strands of experience symbolically to be a textile woven by the powers they called fate.  the crafts of spinning and weaving are the heart of our linguistically embedded understanding of our being, for our existence is envisaged as a part of a universal interwoven pattern, known in the northern tradition as the Web of Wyrd. — Nigel Pennick, Pagan Magic of the Northern Tradition

There will definitely be a section on weaving and weaving deities, with an emphasis on Arachne, whose descendants tend to hang out in the window by my sewing table telling me to adjust the tension on the sewing machines.

Medea’s Invocation

Oh night thou confidant and guide
Of secrets, such as darkness ought to hide;
Ye stars and moon, that, when the sun retires;
Support his empire with succeeding fires;
And thou, great Hecate, friend to my design;
Songs, mutt’ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
The midnight sorcerer drugs; skies, mountains and fields;
Ye wat’ry Powers of fountain, stream and lake;
Ye sylvan Gods, and Gods of night, awake,
And gen’rously your parts in my adventures take.

—Medea’s invocation
The Metamorphoses

I’m not one for calling the quarters or even much talking during ritual or spells, but if I were, I’d take a page from Medea.

Yule Cross Stitch

Tis the season to park your butt on the couch and watch all the traditional holiday movies: Die Hard, Scrooged, Hogfather, etc.  Why not put some of that time to use by stitching a small ornament or festive wall hanging?  I’ve put together a short gallery of cross stitch samplers that is certain to make your nights merry and bright, at least until the eggnog kicks in.

The Sense of Loss in Paganism

I have about a dozen or so back issues of Sage Woman in my library, bought mostly in 1999-2002. I spent a good few hours the other week going through each issue trying to find a quote I half remembered, but I didn’t have any luck.

The quote, as I remember it, was from a Native American woman, asking a group of white women why they tried to learn and emulate Native spirituality. Why didn’t the women look to their own heritages for magic and ritual? It’s a quote that has stuck with me for years, coming at a time when I hadn’t yet heard the term “cultural appropriation” but I had a vague sense of it. Having been raised in Wyoming, with no sense of where my family was from, I didn’t have a personal answer to that question.

I’ve been doing a lot of research for a book I’m writing, and in my reading I came across this quote that expanded on my thoughts and feelings on the above.

I feel a sense of loss over this distance between American witches and their European heritage because even if a person studies and learns about these things, the culture was not “lived”.  What is attractive about the Craft is that the expression comes from the experiences and feelings of the practitioner.  For example, it is fine to learn Celtic (all knowledge is a delight), but there is a difference between learning Celtic and growing up Celtic in Wales. — Ann Moura, Green Witchcraft

I feel that sense of loss sometimes.  Even if I researched my ancestry, I would still feel removed from it.  I identify as American, a national identity that is still primarily “Christian-esque” with a heritage that has little in the way of pagan faith.  And those few groups that have nurtured a pagan faith, or developed one over the years, are not groups I could be part of without feeling like an interloper looking to appropriate something that does’t belong to me.

And if I feel this way, I am sure there are others who do as well.  Wicca certainly fills the gap between European heritages and those American pagans who have only the most tenuous claim to them.  But Wicca isn’t without it’s own problems with “borrowing” from other belief systems without due credit.  (As an example, look at candle magic, which was largely developed in the hoodoo and rootwork traditions.)

I don’t know where that leaves me.  I want to practice a faith that isn’t rooted in appropriation, that isn’t taking the bones of Christianity and dressing it in a magical flesh.  And that becomes part of the research as I work on this book.  For, if nothing else, all knowledge is a delight, and if all I get out of these next couple of months of research is new information, I will be content with that.

Client Spotlight: Chris Gerrib

Chris Gerrib is an author I met a few years back at a convention.  He contacted me in February of 2015 about a commission for a writing cruise he was going on.  There was going to be a Regency ball one night and he wanted to go in costume.  He was looking for a naval frock coat with epaulets.

Naval Frock Coats
Providing pictures and research helps your costumer get as close as possible to what you want, with the least amount of back and forth. Be a good client. Be like Chris.

Chris is the kind of client I love.  He provided me with pictures, research and was clear on what he wanted.  After some back and forth we had a plan.  For the frock coat I used the 1795-1820 Men’s Tailcoat Pattern from Rocking Horse Farms. For the pants, Chris picked up a pair of painter’s pants.  And for the cravat I used a Burda Style pattern I already had on hand.

As with any costuming project there were alterations and changes that had to be made for fit and personal preference.

The painter’s pants were a cheap alternative to making trouser’s from scratch.  All they required was removing the tool loop on the outside and hemming. However, going with them meant forgoing the high waist that is period appropriate. With the lower waist line, a good portion of the his shirt would be visible.  We discussed a couple of options to cover the gap, like making a waist sash, a solution that was used by some at the time.  Eventually we settled on lowering the front of the frock coat.  This required extra time and fiddling with the pattern, but it kept his costume pieces to a minimum and kept the lines clean.

Chris Gerrib Frock Coat Front
Frock coat front showing off the floofy cravat.
Chris Gerrib Frock Coat Back View
Back view of the coat. Check out that trim!

I used a suiting blend for the coat.  Wool would have been the historically appropriate, but as the cruise was going to be in the Caribbean we nixed the wool for the sake of avoiding heatstroke.  Going with a suiting also reduced material costs, and gave us more options to work with.  It took a couple of fittings to get the redrafted front right.  It wasn’t just a matter of lengthening the entire pattern, only the front needed adjustment.  But getting it to align with the side pieces and the tail at the back required some work.

Chris Gerrib epaulet construction detail
Binder clips are one of the most useful non-sewing tool out there.

I used this tutorial for the epaulets.  The base was chipboard cut from a notebook.  I covered the chipboard with white cotton, and then used gold fabric paint to cover the entire thing before adding the trim.  At first, I used snaps and hooks and eyes to attach them to the coat. This proved problematic in real world conditions, however.  It was hard to attach them by oneself, and they would come loose when Chris walked around.  He brought them back later for me to replace the fastenings with Velcro.

I used plain white cotton for the cravat.

All in all Chris was pleased with the final costume.  It hit all the points he wanted: appropriate for the event, comfortable, and flexible enough that he could use it for other events (there was talk about altering the buttons and epaulets for a steampunk look). He received many compliments on the outfit.  What do you think?

Chris Gerrib in full naval frock coat attire
Very dashing, indeed!

Looking to fill your Kindle with science fiction? Check out Chris’ novels on Amazon.com.*

The Mars Run by Chris GerribThe Night Watch by Chris GerribPirates of Mars by Chris Gerrib


*These aren’t affiliate links. I just like to support friends’ work.

My Soul is a Dark Forest

This is what I believe: That I am I. That my soul is a dark forest.  That my known self will never be more than a little clearing in the forest. That gods, strange gods, come forth from the forest into the clearing of my known self, and then go back. That I must have the courage to let them come and go. That I will never let mankind put anything over me, but that I will always try to recognize and submit to the gods in me … — D. H. Lawrence